Ask 411 Movies for 02.06.12: Send Questions Before I Go Stir Crazy!
Posted by Leonard Hayhurst on 02.06.2012
Will No Country For Old Men be considered a classic in 15 years? Is Marilyn Monroe the most iconic actress to never get an Oscar nomination? Should Quentin Tarantino remake Peeping Tom? All this and more covered this week in Ask 411 Movies!
YouTube Clip of the Week
Several readers in the comments last week were thrilled over me throwing in a video of the old HBO movie intro. So for February, we'll look at some blasts from the past in our clip of the week. This week, the ABC Sunday Night Movie intro circa 1982 for Diamonds are Forever.
Leonard's Favorite Episode of Columbo
Every week I profile my favorite episode of a popular television series. Columbo was not a traditional whodunit, but a howshegonnacatchem. The show pretty much depended on putting Peter Falk's Lt. Columbo up against the right type of villain. Robert Culp, Robert Vaughn, Patrick McGoohan and Jack Cassidy were some of the best who were used multiple times. My favorite episode is "Now You See Him" from the fifth season featuring Cassidy as a stage magician. What better person for Columbo to butt intellects with than someone whose stock in trade is to deceive and misdirect? The real trick is Columbo trying to figure out how Cassidy's Great Santini killed his boss while he was on stage submerged in a tank of water.
Mystery Actor/Actress of the Week
Every week I'll give clues to a mystery actor or actress. If you think you know who it is, post in the comments. You win nothing but a tip of the top hat from me, but isn't that enough?
Last week: Last week's mystery actress, Barbara Rush, is mentioned in one of my movies as my character brags about doing her hair. That character was as promiscuous on screen as I was rumored to be in real life, having been linked to many celebrities over the years. However, I've finally settled down and have four children with my Oscar nominated wife. I have one honorary Oscar and one competitive Oscar, but not for acting. It runs in the family as my sister is an Oscar winner too. We went to the same high school as another Oscar winner. I'm the godfather of another Oscar nominated actress' son and actually turned down a role in The Godfather. Who am I?
The answer is Warren Beatty. Beatty's hairdresser character in Shampoo bragged about doing Barbara Rush's hair. After being linked to many famous women over the years, he finally married Annette Bening in 1992. Bening has been nominated for four Oscars, best supporting actress for The Grifters and best actress for American Beauty, Being Julia and The Kids Are All Right. Beatty's sister is Shirley MacLaine, who won the Oscar for best actress for Terms of Endearment on her sixth nomination. They went to Washington-Lee High School in Virginia, also the alma mater of Sandra Bullock, Oscar winner for The Blind Side. Beatty is the godfather of Melanie Griffith's son Alexander. She received an Oscar nod for Working Girl. Beatty was said to have been up for Michael in The Godfather along with being offered directing and producing duties on the film. Information from IMDB.
This week: Like last week's mystery actor, Warren Beatty, I was up to play Michael in The Godfather as well. I later earned an Oscar nomination for another mafia based film. I won best actor at the Cannes Film Festival twice, but both times shared the honor with two-costars. I also received four Emmy and four Golden Globe nominations in a row for my best known television series. My character on that program was known for a trademark cigar, which I had added to the character so I could get free stogies. To tie into this week's favorite episode, I appeared twice on Columbo, once as a victim and once as a framed murder suspect. Who am I?
Actor Robert Hegyes, 60, died of a heart attack Jan. 26. He's best remembered as Epstein on Welcome Back, Kotter. Actor James Farentino, 73, died of an undisclosed illness on Jan. 24. He had recurring or starring roles on such television series as The Bold Ones: The Lawyers, Cool Million, Dynasty, Blue Thunder, Julie, Mary, Melrose Place and ER where he played the father of George Clooney's Doug Ross. Actor Ben Gazzara, 81, died Feb. 3 of pancreatic cancer. His works included Anatomy of a Murder, Road House, Buffalo '66, The Thomas Crown Affair, Summer of Sam, The Big Lebowski and the television series Run For Your Life.
Q: Hey Mr. H,
I was watching Stir Crazy and damn that movie is still funny. How did Gene Wilder & Richard Pryor wind up as a team that made a few movies ending w/ See no Evil, Hear No Evil (which is still funny and Joan Severance is still hot in it)?
-Paul
A: Actually the last movie they made together was Another You in 1991. It marks Wilder's last feature film to date and Pryor's last starring role.
Their other films were Silver Streak in 1976, Stir Crazy in 1980 and See No Evil, Hear No Evil in 1989. They were also both involved with 1974's Blazing Saddles. Pryor was a co-writer on the script and Mel Brooks wanted him to play Bart. However, Warner Bros. balked at the controversial Pryor who also had little acting experience. Gig Young was to play the Waco Kid, but he showed up to the set on the first day drunk and passed out. Brooks then called his old buddy Gene Wilder to fill in.
Pryor and Wilder first met through Brooks. When Wilder was offered Silver Streak a few years later, he suggested Pryor to play Grover, because he thought Pryor could get the racial material over and make it acceptable to black and white audiences. Pryor was against the scene where Grover puts shoe polish on George so they can sneak on the train. Pryor thought the scene would be funnier if a black guy walked in and wasn't fooled by Wilder at all. Director Arthur Hiller didn't want to reshoot the scene, so Pryor stormed off the set. Hiller later changed his mind and reshot the scene per Pryor's suggestion.
Q: Who is the most iconic actor/actress not to be nominated for an academy award?
-Green Man
A: Never winning an Oscar is one thing, but never even being nominated is something else entirely. The most iconic person to never receive an Oscar nomination is probably Marilyn Monroe, ironic because Michelle Williams is nominated for playing Monroe in My Week with Marilyn this year. Monroe was nominated for two Golden Globes and won best actress in a comedy or musical for Some Like It Hot in 1960. She also won the Henrietta Award at the Golden Globes in 1962 and 1954 as the world film favorite.
My male pick would probably go to Vincent Price. The mater of the macabre had a career that spanned more than 50 years and nearly 200 movie and television appearances. His contemporary Boris Karloff also never received an Oscar nomination either.
As far as iconic actors go, it's interesting to mention Bob Hope. Hope received five honorary Oscars, including the Jean Hersholt Humanitarian Award, and hosted the ceremony more than anyone at 19 times. However, he never received a competitive nomination.
Q: Hi Leonard,
What movies in the last 10-15 years will be looked back upon in the near future as "classics" from this time?
Also, what movies do you think that are deemed "great" now, will not age well in the next 10 years or so. I always thought Forest Gump was one of those that was a good movie the first time I saw it but every time I have seen it since, it gets worse and worse.
Thanks!
-Jason
A: I figured the best place to start was looking at the past 15 years of Oscar best picture winners dating back to 1997.
Titanic is getting a 3-D rerelease this year, as mentioned last week. While some make fun of it, I think it's the type of grandiose, epic filmmaking that will still resonate in years to come. It also helped to launch the careers of Kate Winslet and Leonardo DiCaprio while solidifying James Cameron as a top director and producer. So while some might find it dated and cheesy in 50 years, like Gone With the Wind, I believe it will carry a classic label. No Country for Old Men and Million Dollar Baby I think will also be movies that could be potential Essentials on Turner Classic Movies in the future, hopefully when I replace Robert Osborne as a channel host.
Oddly, many of the best picture winners in that period I already don't think have aged too well, particularly American Beauty. What was a slice of the distorted American dream in the suburbs at the turn of the 21st century already seems dated and hokey. Much like with Forrest Gump which I agree with you on, I really liked American Beauty when I first saw it, but less so on future viewings. I think it tries too hard by cramming too much symbolism and deep thought into the story and visuals that ultimately just make it feel bloated and too self important.
Slumdog Millionaire will be an interesting curiosity, but I doubt anyone 50 years from now who didn't know it won best picture in 2009 would guess that it did. The Who Wants to Be a Millionare? setting will also be super dated in the near future. It would be like watching a movie today that revolved around the set of the Joker's Wild.
Q: Is there one horror movie out there still that hasn't been remade yet, but you think would be better off being updated in order to introduce more people to the original? I always thought after seeing The Crazies / Codename: Trixie that it should be remade on a larger budget, which it was, and was good.
-Mario
A: You peg one of the good things about any remake. They at least give some notice to the original film, often leading to a DVD release or television airings. I was going to say 1962's Carnival of Souls, but I found out there was a loose remake released in 1998. So, let's go with the influential Peeping Tom from 1960. Mark Lewis (Carl Boehm) is a focus puller at a British film studio and also does some cheesecake photography and filmmaking on the side. As a child, his father performed experiments on him to record the effects of terror on people. Mark is obsessed with recording such looks on film and kills several women to do so. I know Quentin Tarantino loves the movie, so let him remake it with Christoph Waltz in the lead.
Don't die.
"If there's ever anything that you need... don't call me."
Hey leonard, who's the biggest hollywood icon of all-time? If you need filler, how about a top ten list.
Posted By: spark (Guest) on February 06, 2012 at 12:15 AM
You are Dean Stockwell.
Posted By: Eric von Erich (Guest) on February 06, 2012 at 01:20 AM
is the mystery actor george peppard
Posted By: pidgerii (Guest) on February 06, 2012 at 03:50 AM
@ spark - I think that maybe this column needs less filler and more questions. I'm afraid I don't have any that come to mind but perhaps Leonard could do a bit of outreach around the site to try to drum up a few more. Otherwise it's just going to be a bunch of lists of old movies and I gotta be honest, I've started skimming through them to see if there is anything more interesting further down. I love the column but it's teetering on the edge of not really being worth reading anymore.
I gotta disagree on the future movies - Slumdog, "It would be like watching a movie today that revolved around the set of the Joker's Wild." - you mean, a bit like quiz show? If it's an interesting story what does it matter when it is set?
American Beauty - I guess your criticisms are your own but I think it captures a moment of how some people were trying to deal with the modern world - if it comes off as self important, maybe that's because it has a message it is trying to impart?
Posted By: Guest#4230 (Guest) on February 06, 2012 at 04:45 AM
No Country for Old Men was terrible.
Additionally, in case some of you are so clueless you can't see it-- Tommy Lee Jones is AWFUL as an actor. People like him, but he's actually TERRIBLE. His acting is incredibly B-Movie... even in Old Country where his "great acting" was basically shutting the hell up for 5 seconds and looking pensive. Dramatic! Difficult!
Meanwhile, American Beauty still holds up in certain regards (it is notable for being one of the first big movies to subvert "drugs are bad" and do it as a major theme of the work)
Posted By: Guest#3391 (Guest) on February 06, 2012 at 07:42 AM
Hi Leonard,
After trying to find The Jungle Book on DVD for my son, I realized Disney has not released it since early 2000's and is no longer available in stores. Do you know how Disney decides what gets released and how they decided how long the movies go back into the vault for?
Also, I saw Song of the South when it was re-released in theaters in 1986 and even though I was seven, I felt it was a very odd movie. Obviously I was too young to realize how people see it as racist today but still thought there was something off on it. Is there any other movies, Disney or not, that you think will never be re-released for either being too controversial or viewed as so "un-politically correct" now?
Thanks again Leonard!
Jason
Posted By: Jason (Guest) on February 06, 2012 at 08:36 AM
Not sure if this has been asked before, but figured I would give it a go. What movie do you think most wasted the talents of the cast/director?
My choice would be either ..
Mars Attacks - I know it was supposed to be a tribute to B movies, but MY GOD the acting was horrific!
Star Wars II (Attack of the Clones) - You'd think a movie with Natalie Portman, Samuel L. Jackson, Ewan McGregor, Christopher Lee, Ian McDermid, and Jimmy Smits would be, you know, compelling. Sadly, what you end up with is the most putrid of the prequels. I guess you could say the same for Star Wars I .. considering you have all those people PLUS Liam Neeson, Terrance Stamp, Keira Knightley, various Coppolas, and the voice talents of Brian Blessed and Greg Proops.
Posted By: Krunchy (Registered) on February 06, 2012 at 09:25 AM
In continuing with this weeks question, Animal House, Caddyshack, Ghostbusters, Airplane, are all condidered classic comedies. Any movie that was released in the past 10 yeard do you think will be labeled classic comedies in 50 years? Do you think The Hangover or 40 Year Old Virgin will hold up as well as films like Animal House?
Also I believe The Dark Night will be considered more of a clasic than Slumdog Millionare. Just because a film wins the Academy Award dose not make it an instant classic. Shakespear In Love?? The Hurt Locker? The King's Speech?? The English Paitent?? in 50 years no one will remember any of these, but films like Dark Night, Iron Man, The Hangover, even Borat I believe will be the classics...
Posted By: MIke (Guest) on February 06, 2012 at 09:56 AM
I also think No Country For Old Men is a little overrated but Tommy Lee Jones is not a B-movie actor. Yes, he does play many over the top (Under Seige, Natural Born Killers) roles but I thought his work in The Fugitive/US Marshalls as Sam Shepherd(i think) was great.
I disagree about Forrest Gump losing aging badly. Some of the references are dated (Have A Nice Day, Shit Happens) but the other things (Equal Rights, Viet Nam, Apple, and the assassinations) are all iconic times in history.
I love the Dark Knight. I find it an almost flawless movie. I do think that the stigma of being a "superhero" movie will always keep it from being considered a "classic" by those that decide such things. I definitely see Titanic as one of these but I really can't think of another one at the moment. Everything else is too genre oriented. Jurassic Park is a "dinosaur movie." Saving Private Ryan is a "war movie".
Finally, on to my question for you. I briefly watched Urban Cowboy the other night. From what I remember from my childhood, wasn't this a pretty big deal when it came out? How was it received? Did it lead to bigger/better things for Travolta or was it the start of his decline? Thanks ahead of time.
Posted By: The Big Fat F*g (Guest) on February 06, 2012 at 11:02 AM
Maybe Dances With Wolves as another classic? Historical time. Love Story. Seems to have the shmoopy themes necessary.
Posted By: The Big Fat F*g (Guest) on February 06, 2012 at 11:10 AM
What do you think is Clint Eastwood's best movie performance as an actor and as a director? I would go with Gran Torino as his best acting performance (I love that movie). I also think he is very good in Dirty Harry and Magnum Force (particulary Magnum Force). And probably either Gran Torino or Unforgiven as his best performance as director. He was fine as an actor in Unforgiven but nowhere near Morgan Freeman or Gene Hackman's level in that movie.
Posted By: Meanmike0001 (Guest) on February 06, 2012 at 04:00 PM
This decade was really a lot like the 40's, and what films survived the 40's...animated movies. I'm sure Walle, Finding Nemo, and Up will be remembered for 50 years.
Posted By: Guest#3395 (Guest) on February 06, 2012 at 04:44 PM
"Hey leonard, who's the biggest hollywood icon of all-time? If you need filler, how about a top ten list."
John Wayne. Look at that list of the top 10 favorite actors that surfaced a few weeks back. John Wayne was the only dead guy on the list, and I can't imagine any of the other nine making the top ten some 30 years after they die.
Posted By: G-Walla (Guest) on February 06, 2012 at 04:59 PM
Aliens arrive, wanting to become well-versed in humanity. They ask you to pick them out five movies to describe who human beings are and what they're about. What five movies do you pick?
Posted By: Andrew B (Guest) on February 06, 2012 at 06:47 PM
With the rise of the contrarian culture, I'm not sure many modern movies will ever get that "classic" label.
Posted By: The Great Capt. Smooth (Guest) on February 06, 2012 at 06:58 PM
I think Idiocracy is one movie who's cult status will continue to rise. I could see it being given the cult classic status of Monty Python and the Holy Grail and other comedies of that type.
Posted By: Guest (Guest) on February 06, 2012 at 08:53 PM
I think American Beauty is a really good movie, but, yeah, it doesn't hold up. Its pretty heavyhanded and a big plot point relies on a sitcom farce-ish aspect...the blowjob scene. Annette Bening is a great actress, but shes pretty much doing a blown up sitcom performance too.
My pick for best picture that year is The Insider...thats something that doesn't age at all. Very powerful and doesn't rely on gimmicks. To me 1999 will be the year that horror/fantasies got major Oscar cred with The Green Mile and The Sixth Sense. Mile is a very sentimental movie, but holds up better than American Beauty too.
Everyone always uses the phrase "classic" when they describe a movie they personally enjoy. Hell, when Charlie Sheen went nuts, this site start going on about his glory days of "classics" like Major League! Thats what qualifies as a classic?
Lets face it...a movie isn't a classic until its been around for more than a few decades. Thats why Citizen Kane and Casablanca are so beloved. They're brilliant movies that influenced so much to come. They broke molds and inspired new ways to look at cinema. Same goes for The Godfather and Star Wars. I'd add Schindlers List for a more recent example.
Forrest Gump is a great movie, but really, who would pick it over Pulp Fiction or Shawshank Redemption these days?
The 70s were probably the greatest decade for groundbreaking cinema (outside of maybe the 40s), with stuff like the Godfathers, Deliverance, Apocalypse Now, MASH, The Conversation, Exorcist, Chinatown, American Graffiti, Taxi Driver, Network, Annie Hall, Coming Home, Close Encounters, Jaws, One Flew Over The Cuckoos Nest and All The Presidents Men. There hasn't been nowhere near as much important cinema since then.
Posted By: Earl (Guest) on February 06, 2012 at 09:09 PM
ABC Sunday Night Movie promo for the win!!!
Posted By: steve (Guest) on February 06, 2012 at 11:21 PM
Whether true or not, I see a lack of patience in Hollywood that results in many show having the plug pulled too soon. Given the current landscape, what shows from the 60's through the early 90's that had slow starts but gained momentum after a year or two would not have had the long runs they enjoyed? On the other end of that, what shows from the mid 90's to today that were cut short would have had a better chance when shows were given a little more time? I'm not taking into consideration the subject matter of the show, just if the lifespan would potentially be shortened or lenghtened.
Do you see reality tv slowing down any time soon? I can live with the competitions, (Top Chef, American Idol) but the fame whore crap (Housewives of...) needs to go.
Fantasy cast a 411mania.com movie.
Posted By: Eskimo (Guest) on February 07, 2012 at 11:30 AM
Do you think we will ever see a renaissance for drive-in theaters? As a kid, some of the best times at the movies were double features at the drive-in. I even saw a Star Wars triple feature where they showed all three original films back to back to back. Remember being there until 2 AM and loving it.
Speaking of double features, do you think we could ever see a studio create serial movies again. Each month (or whenever the studio has a release they want to push), they show this 20-30 minute serial movie. Shoot a bunch of episodes like a TV show and then show them in the theaters as an "opening act". I know that Stephen King did this with the Green Mile books and it got me hooked (if only for the novelty of it).
Finally, I'm a big fan of Carl Hiaasen's books and thought that they would translate well into movies. Now, they tried one (Striptease) and that was a disaster. But it was a disaster for reasons other than the source material. Are you familiar with his work and could you see other books of his translated into films.
Posted By: SpankyHamm (Guest) on February 07, 2012 at 04:21 PM
Which comedy actor has the best catalog of funny movies, (movies that are still availiable to be seen today)?
Posted By: Guest#6563 (Guest) on February 07, 2012 at 06:06 PM
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