Shinedown - The Sound Of Madness Review
Posted by Dan Marsicano on 06.24.2008
Hard rock band Shinedown has just released their third album, the follow-up to Us And Them. Can the band continue the success of their previous two albums?
The Band
Brent Smith-Vocals
Nick Perri-Guitar
Zack Myers-Guitar
Eric Bass-Bass Guitar
Barry Kerch-Drums
The Track Listing
1. Devour-3:49
2. Sound of Madness-3:53
3. Second Chance-3:40
4. Cry For Help-3:20
5. The Crow and the Butterfly-4:13
6. If You Only Knew-3:46
7. Sin With A Grin-4:00
8. What a Shame-4:18
9. Cyanide Sweet Tooth Suicide-3:11
10. Breaking Inside-3:51
11. Call Me-3:42
The Review
Jacksonville, Florida hard rockers Shinedown have been cranking out solid rock albums since their formation in late 2001. The band hit it big with the single “45,” the emotional rock ballad on their debut album Leave A Whisper. The song made Shinedown a band to look out for in the future and the success of sophomore release Us and Them and single “Save Me” only augmented this further. The Sound of Madness has the band honing in their sound, with the help of producer Rob Cavallo, and creating an album that has Shinedown’s heaviest, and softest, songs to date.
“Devour” is the band’s current single and is the track that is sweeping the airways on all the major rock radio stations. The song is politically charged, with Smith employing a new vocal style on the verses to add to his extensive arsenal; a rushed, frantic barking that has Smith spitting out the words like a man possessed with an M16. The band follows suit, successfully keeping up with Smith the whole time, until Smith shows off some high notes in the catchy chorus. The song is powerful and an excellent start to The Sound of Madness. The title track continues this frantic pace with another excellent rocker that is guaranteed to get the live crowds moving.
Unlike most modern albums, the band is able to balance out the heavy tracks and the softer, more “ballad-like” tracks. “Cry For Help” is a mid-paced song with an edge to it, augmented by great guitar work and an absolutely scorcher of an ending. “Cyanide Sweet Tooth Suicide” is the fastest song the band has ever written and, at moments, almost sounds like a punk song. The song flies by, only slowing down at the end for a snail-paced breakdown.
The band was made famous by a rock ballad, “45.” So, of course, there are a few ballads spread throughout The Sound Of Madness. Shinedown isn’t content with doing the same old crap that most rock bands do and actually takes some chances with the slower, more melodic tracks. “Second Chance” uses a heavy string presence and makes sure not to waste them on the track. They stay in the background, waiting for their moment to come out on the chorus and provide that extra emotional impact. A personal favorite moment of mine is when Smith hits this ungodly high note and the violins follow suit, keeping up with him. “The Crow and the Butterfly” has been around for a while, being played at live shows before the recording of the album, and it sounds as good as in the live shows, especially with the violins added in. “What A Shame” is the band’s “45,” a ballad with an edge to it. It wouldn’t have sounded out of place on Leave A Whisper.
“Call Me” is the band’s biggest departure to date. The song reminds me of “Proud Of You,” the closer off of Division, 10 Years’ recent album. A largely piano ballad with minimal string involvement, Smith shows genuine emotion and conviction in his voice and this makes “Call Me” the best closing track the band has ever done (yes, even better than “45”).
Brent Smith pulls out an phenomenal vocal performance and shows the world why he is one of the most underrated vocalist in rock today. The rhythm section of Eric Bass and Barry Kerch do a competent job together, and the chemistry between them is evident, considering that this is Bass' first album with the band.
In a recent interview with Billboard.com, Brent Smith commented about the new album, "It's time to just go over the top, literally go above and beyond what a human being thinks they're capable of recording. We want to do a huge hard rock record that has a lot of crossover potential, but also some of the most insanely intense and heavy material that this band has ever tried - and see if we can pull it off." With The Sound Of Madness, I really think the band accomplished what they set out to do. So far, it definitely is one of the top 10 rock albums of the year and is a huge success for the band. My only criticism is that I would have liked to have had another rock song or two, as I think having two ballads back to back in the middle and at the end kills the flow of the album a bit. Other than that, The Sound of Madness is the best album I have heard from the Jacksonville rockers and a sign that they are finally showing their true potential.
The 411: The Sound Of Madness is an album that finds the band fine tuning their sound and cutting out some of the fat that their earlier albums had ("Lady So Divine," anybody?). The album has some of the heaviest and softest songs the band has ever done, with a fine balance between the two. While the album could have benefitted from another rocker or two, as near the middle and end, there are ballads back to back, The Sound Of Madness is the best album Shinedown has created to this date and a sign that the best is yet to come from these Jacksonville rockers.
In response to your comment " 'Cry For Help' is a mid-paced song with an edge to it, augmented by great guitar work by Jasin Todd and an absolutely scorcher of an ending". It should be noted Jasin Todd did not do the guitar work on this album as he got kicked out for his substance abuse problems, and work was done by former Silvertide guitarist, now Shinedown, Nick Perri.
Posted By: John R. (Guest) on June 24, 2008 at 12:33 AM
Correction to the previous post on what I mean't to say, Jasin Todd wrote the guitar tracks for this album before being kicked out of the band, being replaced by Perri. Sorry for the mistake
Posted By: John R. (Guest) on June 24, 2008 at 12:45 AM
Thanks for the feedback John R. I realized at the end of my review that Todd was kicked out of the band and tried to take any mention of him physically playing guitar out of the review. Guess I missed a spot. Thanks man for finding that!
Posted By: Dan Marsicano (Registered) on June 24, 2008 at 03:16 AM
As a Jacksonville native, I've seen Shinedown evolve from thier very grungy roots into this awesome rock band with all the potential of being HUGE. That being said, The Sound of Madness is really a strong step foward into grabbing, and keeping, a major spotlight in the public eye. Ballads are usually a big hit with most people (Lips of an Angel, anyone?), especially when they come from a semi-unknown band. But since they released tracks like 45, Fly From the Inside, and Heroes, people know they can bring the rock, but will embrace the ballad. Kudos to Shinedown on continuing to evolve.
Posted By: S. Masters (Former 411 Writer) (Guest) on June 24, 2008 at 04:32 PM
To clarify, Nick Perri & Eric Bass joined the band AFTER this record was recorded, so they have NO presence on it.
Zach Myers did ~90% of the guitars (and also ALL of the bass) in studio, as Jasin was let go very early in the recording process.
Posted By: Dude (Guest) on June 24, 2008 at 07:46 PM
There is alot of uncertainty as to who plays guitar on this album. In the credits at the back of the CD booklet Tim Pierce, Dave Bassete, Robbie Huff, and Rob Cavallo (Producer) are credited with doing the guitars. Niether Jasin, Nick, or Zach is mentioned for any recording.
Posted By: guy (Guest) on June 25, 2008 at 11:54 AM
I agree with your point about the "balladest" type songs back to back while having the rock songs more or less back to back.
When im listening to the album im usually either listening to the slower type songs or listening to the harder songs. Not mixing them together
Posted By: Tim (Guest) on June 26, 2008 at 11:11 PM
I agree that the album could've benefited from another rocker or two; however, the limited edition version's 3 bonus tracks are all fast so it finishes off the album nicely!
Posted By: Guest#8369 (Guest) on July 04, 2008 at 01:04 PM
Well i have heard this album and this is one hell of a compilation of songs.
Not the thing is there is one song "Sound of Madness" I am little confused about the lyrics of this song like
"Another lose cannon gone bi-polar
Slipped down, couldn't get much lower.
Quicksand's got no sense of humor.
I'm still laughing like hell.
You think that the cryin to me,"
What does 'quicksand's got no sense of humor' even means? It's like they had no idea what to add here in lyrics so they added lines like these.
If anyone of you have any idead what these lines even mean. Let me know.
Posted By: Amit (Guest) on September 10, 2008 at 03:55 AM
this song is about people who bitch and complain all the time...being sucked down into quicksand which doesn't care about you and would also not have a sense of humor....but he does because he is laughing as the person sinks...sometimes lyrics arent in black and white dude.
Posted By: shannon (Guest) on September 19, 2008 at 07:50 PM
Let's really set the 'record' straight. Jasin O'Neil Todd wrote the guitar for several of the songs on Sound of Madness; not all of them...twas 5, I think he tol me.
Also, he tol me that the draft CD that was sent to Atlantic Records contained him on guitar. (8 months he spent working on this record.) Atlantic removed Jasin's tracks and replaced them with a studio guitarist. Why? Because, they have no respect for the peeps they claim to represent, and they thought none of us would notice or care...they were so wrong; born wrong in my humble opinion.
As noted previously, the new members are not on the record, yet they take great pride in taking credit (and the money) for someone else's work. That, my fiends, is criminal.
)O(-Donna
Posted By: I4C (Guest) on October 06, 2008 at 03:43 PM