Kanye West - 808s & Heartbreak Review
Posted by Byron Lee on 11.28.2008
Kanye tunes his heart out.
Background:
Since coming onto the scene as a producer for Roc-A-Fella records, Kanye West's claim to notoriety has been his ability to take the messages found in the work of conscious rappers such as Common, Talib Kweli, and Mos Def, and make them palatable for a mainstream audience. Commentaries on the need some people have for validation through materialism and higher education were delivered over arrangements meant for mass consumption. West has also become well-known for his hubris. The man does not lack for confidence, and he has a penchant for throwing tantrums, sometimes publicly, when he does not receive the accolades he feels he deserves. Furthermore, his decision to remain with Jay-Z, when the rapper-turned-mogul had a nasty split with business partner Damon Dash, even though it was Dash who first brought him to Mr. Carter's attention, proved to be controversial.
The superstar had to come down to earth, when the guiding figure in his life, his mother, Donda, passed away from complications incurred during a cosmetic surgery procedure. (When one unfolds the CD jacket for 808s & Heartbreak, he or she will find a large, touching picture of Kanye kissing Dr. West on the cheek.) Shortly, thereafter, he ended his relationship with his fiancée. In addition to that, a backlash was in the wings, regarding West's past boorish behavior, and it began with West's highly-publicized, late performance at Bonnaroo. (The organizers claimed that the set was delayed by West's alleged diva antics; West says that he was only trying to give the festival crowd the full experience of his stage show, and the organizers botched it, while letting Pearl Jam go beyond its allotted time.) Recently, he's made headlines for attacking paparazzi. Although his latest actions are arguably justifiable, some have treated these events as signs that the star is unraveling, in the wake of personal problems.
Adding to the commotion were announcements that West had become fascinated with Auto-tune, that most of the vocals on his next album would be sung through the device, and that most of the production would be done with the Roland TR-808 drum machine. Many people, perhaps worn down by the unfulfilled promises of artists such as Nas and West's mentor Jay-Z, were cynical. However, West saw the idea through.
The Album:
On Monday, November 24, 2008, Roc-A-Fella/Island Def Jam released 808s & Heartbreak, the fourth album by Kanye West.
The Songs: 6.0
1. "Say You Will"
2. "Welcome to Heartbreak" (feat. Kid Cudi)
3. "Heartless"
4. "Amazing" (feat. Young Jeezy)
5. "Love Lockdown"
6. "Paranoid" (feat. Mr Hudson)
7. "RoboCop"
8. "Street Lights"
9. "Bad News"
10. "See You In My Nightmares" (feat. Lil Wayne)
11. "Coldest Winter"
12. "Pinocchio Story" (freestyle live from Singapore) (bonus)
This album finds West moving in a new sonic direction, and it works best when the songs are crafted into concise, (relatively) subtle statements. "Welcome To Heartbreak," finds the Louis Vuitton Don poignantly expressing regret over the sacrifices he's made to get to where he is.
Dad cracks a joke. All the kids laugh.
What I couldn't have, way up in First Class.
Chased the good life, all my life long.
Look back at my life, and my life gone.
Where did I go wrong?
Also providing insight is "Heartless," where West gives you a view into the end of a relationship. A headnodding beat gives the song the feel of an inverse of "Golddigger," with hurt and tension replacing the one-liners.
How could be so Dr. Evil?
You bringin' out a side of me that I don’t know.
I decided we weren't gon' speak, so
Why we up 3 A.M. on the phone?
Why does she be so mad at me fo'?
Homie, I dont know, she's hot and cold.
I won't stop, I won't mess my groove up
'Cause I already know how this thing go.
The proceedings perk up with "Amazing." Utilizing minor key piano chords that call to mind some of Eminem's production work, the song marks the return of the braggadocious Kanye of old.
It's amazing, I'm the reason
Everybody fired up this evening.
I'm exhausted, barely breathing.
Holding on to what I believe in.
No matter what, you'll never take that from me.
My reign is as far as your eyes can see.
Although the guest appearance of Young Jeezy could be read as a concession to the streets, he infuses the track with an energy that is palpable.
They like oh god!
Why you go so hard?
Look what he's been through.
He deserves an applause.
Although these tracks work well, a Kanye fan would probably think that there is an element that is missing: humor. Well, "Robocop" remedies that problem. On a track complete with machine noises that mimic the ones used in movies whenever robots walk slowly, West uses wit to convey the anger and terror that accompany a relationship with someone who, in his view, was overly controlling.
About the baddest girl I ever seen.
Straight up outta movie scene.
Who knew she was a drama queen?
Thatll turn my life to Stephen King’s.
Up late night, like she on patrol.
Checking everything, like I'm on parole.
Having the most impact, however, is “Pinocchio’s Story,” where Kanye sings a freestyle in concert. He uses the wish of the titular character ("I wanna be a real boy.") to frame a searing look into the dehumanizing side effect of fame.
What does it feel like to live life, to be real,
Not some facade on tv that no can really feel?
Do you really have the stamina
For everybody that sees you and say 'where's my camera’?
For everybody that sees you and says 'sign my autograph'?
For everybody that sees you and says that 'you all that'?
Unfortunately, there are many other moments on this recording when I wished that someone would have dissuaded Kanye from following through on his impulses. "Paranoid" sounds like a more extreme version of Pharrell's "Number One." Imagine the St. Elsewhere theme song, as interpreted by early-period Prince, with a sing along chorus attached to it. It's such a mess that I couldn't help but be amused by its audacity. Furthermore, album-opener "Say You Will" has tearjerking chords and laidback trip-hop percussion, but is ultimately undone by processed crooning, a lack of direction (You'll never hear the saying "Hey, hey, hey" in the same way, again.), and its mind numbing (for a pop song) length. Likewise, "Love Lockdown," the abysmal choice for first single, begins intriguingly with a sparse bassline and haunting lyrics, but the treatment of the vocals and the galloping drums on the chorus create a wall of noise that obscures the song. You wonder what the result would have been, if the production had more restraint and if the arrangement was performed by someone who could legitimately belt out a tune.
"Say You Will" and "Love Lockdown" exemplify a major problem with the album: many of these songs start off promisingly, but are ultimately aimless, with Kanye saying the same lines, ad nauseum. Rarely has the line between catchy and resonant, with regard to the work of a critically-heralded artist, been so distinctive. Frankly, some of the tracks, among them "Coldest Winter," West's dedication to his dearly departed mother, sound unfinished. (This occurrence leads me to believe that Island Def Jam was determined to have another big, fourth quarter release (along with Ludacris's), in order to improve their bottom line for the year, especially in light of Jay-Z's album being pushed back.) (At the risk of incurring the wrath of our readers, I will also point out that one of the lackluster tracks, "See You In My Nightmares," is nearly saved by a fellow Auto-tune convert: Weezy F. Baby.) Making matters worse is that, even on the better songs, Auto-tunes's occasional off-key warble is off-putting.
Groundbreaking artists make missteps. Now that West has gotten 808s & Heartbreak out of his system, here's hoping that he regains his footing.
The 411: 808s & Heartbreak is a mixed bag. When it's focused, it's an insightful, captivating look into loss, regret, and resentment. The collection is marred, however, by self-indulgence, and, ironically, a feeling of incompletion.
I think this album is fantastic, but apparently I'm the only one.
Posted By: JCullen (Guest) on November 28, 2008 at 12:49 AM
Heartless, Robocop, Coldest Winter, Welcome to Heartbreak, maybe Paranoid, and Pinocchio's Story stands out. The rest of the album just blows.
Posted By: One Man's True Opinion... (Guest) on November 28, 2008 at 01:20 AM
You are not the only one. It is not his best work, but it's still better than most of the pop garbage that is being spewed out today
Posted By: Guest#5268 (Guest) on November 28, 2008 at 01:34 AM
I've tried, but I can really only listen to "Amazing" and the two singles at this point. This reviewer had it right, though--it's great to see Kanye experimenting, even if it doesn't click. But this album just feels...incomplete. Like it wasn't given enough time to be finished. Which is a shame.
Posted By: Sam! (Guest) on November 28, 2008 at 02:11 AM
Is there a song called "I'm a douchebag" on it?
Because he is.
Posted By: The Rev (Guest) on November 28, 2008 at 02:26 AM
havent heard his album yet but his frst two singles are worst than any song hes ever done so things tome dont look good. i liked the different direction he took the last album but boy just cant sing and d bringing back euro-techno beats into hip hop like this is ill advised.
Posted By: BranDon (Guest) on November 28, 2008 at 08:35 AM
Man, i love this CD. Kanye poured his heart out on this one and the production is unbelievable. i didnt know if kanye could do it without sampling...
but Wayne saved that song? i dont think so. his verse was decent. but his singing is starting to get annoying. And you picked the worse Jeezy line on the song. the verse was hot but his ended that verse so wack-ly. kinda killed my buzz. and pinnochio story he says "see you cry and say you oughtta laugh" not "all-of-that".
the only song i dont like is Real Bad News cause it sounds like a hot mess. everyone should listen to all the rest of them with an open mind and i bet you'll fall in love with a couple.
Posted By: corey (Guest) on November 28, 2008 at 08:57 AM
I think it's the perfect album in his musical evolution, but I just got dumped after a 5 year relationship, so I am a little biased towards heartbreaks.
Posted By: Tim Haught (Guest) on November 28, 2008 at 10:35 AM
The voice of our generation
douchebag
Posted By: Guest#2427 (Guest) on November 28, 2008 at 11:32 AM
It wasn't bad, I basically felt like I was listening to a T-pain album I could sit through
Posted By: K. Bett (Guest) on November 28, 2008 at 01:15 PM
Awful, and I hate how people are using the fact that it's "different" as an excuse for it sucking so much ass.
Posted By: Foolio (Registered) on November 28, 2008 at 03:03 PM
i wish he wasnt such a giant tool, because i genuinely enjoy his music.
Posted By: Ric Switzer (Registered) on November 29, 2008 at 12:42 AM
really kanya work on your lyrics, kind of weak.
Posted By: joe (Guest) on November 29, 2008 at 02:58 AM
I liked the album. i kind of wish he toned down the voice alteration and you know...didn't completely stop rapping. The beats on every track are great but it did leave something to be desired, after his incredibly last album. Probably not an album for everyone but at least he tries to go against the grain.
Posted By: Guest#9217 (Guest) on November 29, 2008 at 09:11 AM
George Bush hates black people!
Posted By: kanye west (Guest) on November 29, 2008 at 11:43 AM
Groundbreaking artists???! Big L was groundbreaking. Kanye needs to stick to producing.
Posted By: jayt11 (Guest) on November 30, 2008 at 09:12 AM
Worst album of the year.
Posted By: Dub (Guest) on November 30, 2008 at 07:15 PM
the album is great! and kanye is brave for dropping this album! not one song is lame on the entire album.haters please stop hating!!! i agree with jcullen, i guess the album just fits me as a person!
Posted By: jay-p (Guest) on December 06, 2008 at 08:07 PM
Critics are critics kanye is very different and original so expect something different from him and look what a great job he's done I'm gettin into the auto-tune myself so forget what people say I love the album
Posted By: xavier g.r. (Guest) on December 08, 2008 at 04:07 PM
Man this album is off the damn chain Kanye is on a level by himself now only a few can really stand next to him and the album can be listened to from start to finish for the people who don't like please open your ears apparenty yall aren't listening
Posted By: Jayce (Guest) on December 14, 2008 at 12:58 PM
That auto-tune nonsense is just terrible. Every song I've heard from this album is an embarrassment to Def Jam. I mean, what the hell were they thinking in releasing this album.
Shameful
Posted By: Elijah (Guest) on January 27, 2009 at 03:33 PM
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