www.411mania.com
|  News |  Album Reviews |  Columns |  News Report |  Hall Of Fame |
SPOTLIGHTS  SPOTLIGHTS
MOVIES/TV
// Hilary Duff Looking Huge
MUSIC
// Rihanna Shows Some Skin and Wears Thigh High Boots in New Twitter Pics
WRESTLING
// The Rock Fires Latest Shot In Twitter Feud With Cena
POLITICS
// Obama Showing Strongest Poll Numbers In Months
MMA
// Mir vs. Velasquez, Griffin vs. Ortiz III in The Works
GAMES
// No Twisted Metal DLC or Sequel Planned


CD REVIEWS  CD REVIEWS
//  Hospitality - Hospitality Review
//  Sharon Van Etten - Tramp Review
//  Air - La Voyage Dans Le Lune Review
//  Imperial Teen - Feel The Sound Review
//  Seal - Soul 2 Review
//  Craig Finn - Clear Heart Full Eyes Review
 HOT ARTISTS
//  Kanye West
//  Lil Wayne
//  Rihanna
//  Britney Spears
//  Lady GaGa
SYNDICATE  SYNDICATE



411mania RSS Feeds





Follow 411mania on Twitter!




Add 411 On Facebook
 



 
 411mania » Music » Columns



Advertisement
Under the Scalpel 10.15.09: Madonna, Maria Mena, Melanie Fiona, Andrew Stockdale & Holiday Sidewinder
Posted by Mark Ingoldsby on 10.15.2009



"Under the Scalpel: Dissecting Pop Culture One Song at a Time" is a weekly column written by Mark Ingoldsby, songwriter and guitarist for the hard rock band A Simple Complex. Download three free tracks that will rock your panties off at www.asimplecomplex.com

Madonna & Lil Wayne – Revolver
Sleezy Meets Weezy In Cheesy Song




Twenty years ago, Madonna attained the title "Queen of Pop" by being an alluring pop diva who combined catchy hooks with audacious raunchiness and religious controversy. When she released a single, you'd have to hide out for months in an Amish barn to escape it.

She was sassy. She was hot. And her fans ate it up – especially young, aspiring singers who undoubtedly sang her songs regularly at home, at talent shows, and for countless auditions.

These days, Madonna (who has finally embraced the nickname of Madge) models her career after those same young starlets she once inspired, specifically the two pop tarts she locked lips with on MTV six years ago, and the floozy she almost locked lips with on Saturday Night Live recently.

Like an aging actress no longer being asked to fill roles involving more skin than clothing, a provocative female pop singer must garner enough talent – and sense – along the way to make the eventual transition from flirtatious, crotch-grabbing, pornographic-book-releasing, skimpy-wedding-gown-wearing sex object to credible songwriter and perfomer.

Madge's latest single provides hard evidence the aging singer did not garner that talent – or sense. "Revolver" is one more slice of lewd pop trash that fits well alongside the other forgettable singles she's released over the last eight years. It's a vapid little dance number one envisions a bubbly, twenty-something-year-old bimbo (trying to get discovered) undressing, undulating and moaning along to.

Note to Madge: You are no longer a bubbly, twenty-something-year-old bimbo.

At 51, she still chooses to dress like a burlesque performer and release hokey songs about being a sex goddess. How embarrassing.

"Revolver" was written by two brothers who call themselves The Jackie Boyz months before Madge got her spider-veined paws all over it. It was originally sung by professional scratch vocalist Ravaughn, and produced by Justin "Frank E" Franks – one of the people Madge enlisted to record new songs for her new Greatest Hits collection.

Reportedly rapper Flo Rida and girl-smoocher Katy Perry had already rejected the track. Madge, however, decided to embrace "Revolver," and re-sung it with a vocal performance best likened to a tired, old cougar on the prowl at a local karaoke dive bar.

"Oops, I guess I shot ya,
My finger's on the trigger,
I had a bullet with your name on it,
Click, click,
I'm a sex pistol,
My love should be illegal,
Real deal, baby, I'm no counterfeit,
Click, click."


The lyrics of "Revolver" are bad enough without the thought of them coming from some broad who is moments away from her golden years. Listening to Madge salaciously refer to herself as a "bad girl" and flippantly use childish metaphors like "sex pistol" makes me want to hurl my cookies – the ones she should be baking for her grandchildren.

Making matters worse, Madge's voice is hidden behind more vocal effects than you'd find in a T-Pain studio session, giving it a completely soulless, robotic, and well… "Britney" sound. Even the producer has made an open plea to Madge's fans on his twitter account, begging, "HELP!! Please tweet @guyoseary and M and ask them to let me fix Revolver!! :) thanks!!"

But the nightmare doesn't end there. Like pouring expired milk into a bowl of stale cereal, my least favorite rapper adds his terrible styling to this awful song. Lil Wayne guests for a verse and contributes more cheesy gun metaphors to an already cliché track with lines like, "I am Mister Shoot 'Em Down," and "I gave her extra rounds." Plus, he throws in his typical, utter nonsense like, "I only shoot to kill. The vest ain't gonna help it even if you're laying still."

As always, Wayne sounds like a constipated Prince groaning into a vocoder. The only worthwhile contribution he makes is the added name recognition.

Musically, "Revolver" sounds a lot like Britney's "If U Seek Amy," Lady Gaga's "Poker Face," and Kristinia DeBarge's electro-pop rework of "Na Na Hey Hey Kiss Him Goodbye." Retro video game sounds and bland synths ride over a dull, predictable beat. The track goes nowhere and can't finish fast enough.

"Revolver" is a bad attempt by Madge to stay relevant as she emulates the sound of today's pop stars 30 years her junior. The old gray Madge, she ain't what she used to be. The problem is – she doesn't realize it.

Rating: * (1 out of 5)
If You Like: Britney Spears' Mom, Christina Aguilera's Mom, Lady Gaga's Grandmother, cougars

Hat Trick: Three quickies for the man on the go!

Andrew Stockdale & Holiday Sidewinder – Leather and Lace
I'm not a Wolfmother fan. But Andrew Stockdale's cover of the Stevie Nicks/Don Henley ballad "Leather And Lace" with Bridezilla vocalist Holiday Sidewinder on the Australian show RockWiz is magnificent. I was lucky enough to discover this track via Australian hard rocker band Grinspoon's twitter account. Stockdale and Sidewinder, along with the RockWiz house band, deliver a powerful performance of this classic ballad that sends a shiver down the spine. Problem is: I don't think there's a way to buy it and add it to my music collection. If somebody finds a way to obtain an mp3 of it, please post a link in the comments below. View the performance here. It is not to be missed.

Rating: ***** (5 out of 5)
If You Like: Fleetwood Mac, MTV's Unplugged series

Maria Mena – I Was Made For Loving You
Norwegian singer-songwriter Maria Mena is the latest musician in a long line of artists to cover Kiss' fan-alienating, disco-rock hit "I Was Made For Lovin' You." I admire her attempt to reinvent the song from the ground up, leaving behind the mirror ball and stretch pants, but her reinterpretation of "Lovin'" is pure kitsch. Mena comes off like a overstimulated Sarah McLachlan fronting a cornball lounge act. If she was trying to do a serious cover of the song, she failed. If it's meant to be tongue-in-cheek, here is my half-hearted chuckle. Now I'm ready to move on. Because either way, it's still lame.

Rating: * (1 out of 5)
If You Like: Richard Cheese

Melanie Fiona – Give It To Me Right
Sigh. Another recycled hit. Imagine Jazmine Sullivan ad-libbing new lyrics over "Time Of The Season" by The Zombies. That's what Canadian R&B singer Melanie Fiona's debut single sounds like. Sure the music is catchy – that was established 40 years ago – but this track goes beyond 'too close to the original.' It's impossible to listen to Fiona's song without replacing her lyrics with the 'correct' ones. "Give" was penned by fellow Guyanese songwriter Andrea Martin, who has written hits for SWV, En Vogue, Toni Braxton, and, most recently, Leona Lewis. The track's (new) lyrics are a message to this lady's part-time fling, letting him know that she doesn't want his company all of the time, but when she does, he'd better bring his A-Game. This song has had success in Canada and Europe, but only tickled the bottom of Billboard's Hot R&B/Hip-Hop Songs Chart. Fiona is a good singer, and this song is fun. But after hearing it a couple of times, I realized that I'd rather just listen to the unaltered version of "Time Of The Season." Hopefully the other songs on her album The Bridge show a little more originality.

Rating: ** (2 out of 5)
If You Like: En Vogue, Jazmine Sullivan, Toni Braxton

Wacky Video Of The Week

Naked Ape – Fashion Freak
Premise: Electronica nerds get treated to sexy zombie car wash





Post Comment (1)  |  Email Mark Ingoldsby  |  View Mark Ingoldsby's 411 Profile

  Send To Friend  |    Stumble It!  |    Digg It!  | 



Please add your comment below.
If you are registered, you can login and post under your registered name. If not, you can post as a guest or register.

* Please note that 411 moderates all comments. Your comment will show up on the site after it has been approved by an editor.
 
Name : 
Comment : 
Remaining Characters : 
2800
 

Comments (1)

 
With regards to Madonna, what age is it appropriate to stop living? What age should you just give up on age, fun and sex? I hope when I am 51, I am still going strong.

The author of this screed admittedly hasn't like a Madonna song in 8 years, so I guess 43 would be that age.

Hear that, everyone? When you hit 43, put on yer mom jeans and garden. Life is over.


Posted By: Duush (Guest)  on November 04, 2009 at 05:16 PM

 


www.41mania.com
Copyright ๏ฟฝ 2011 411mania.com, LLC. All rights reserved.
Click here for our privacy policy. Please help us serve you better, fill out our survey.
Use of this site signifies your agreement to our terms of use.