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Transcript of Michael Stipe's Nirvana Induction Speech at Rock and Roll Hall of Fame
Posted by Jeremy Thomas on 04.11.2014



Here is former REM frontman Michael Stipe's speech from Nirvana's induction into the Rock and Roll Hall of Fame. NME caught the transcript of the induction, which went down Thursday night at the Hall of Fame ceremony in Cleveland, Ohio:

Good evening. I'm Michael Stipe and I'm here to induct Nirvana into the Rock and Roll Hall of Fame.

When an artists offers an idea, a perspective, it helps us all to see who we are. And it wakes up, and it pushes us forward towards our collective and individual potential. It makes us—each of us—able to see who we are more clearly. It's progression and progressive movement. It's the future staring us down in the present and saying, "C'mon, let's get on with it. Here we are. Now."

I embrace the use of the word "artist" rather than "musician" because the band Nirvana were artists in every sense of the word. It is the highest calling for an artist, as well as the greatest possible privilege to capture a moment, to find the zeitgeist, to expose our struggles, our aspirations, our desires. To embrace and define a period of time. That is my definition of an artist.

Nirvana captured lightning in a bottle. And now, per the dictionary—off the Internet—in defining "lightning in a bottle" as, "Capturing something powerful and elusive, and then being able to hold it and show it to the world."

Kurt Cobain, Krist Novoselic and Dave Grohl were Nirvana. The legacy and the power of their defining moment has become, for us, indelible. Like my band, R.E.M., Nirvana came from a most unlikely place. Not a cultural city-center like London, San Francisco, Los Angeles, or even New York—or Brooklyn—but from Aberdeen, Washington in the Pacific Northwest, a largely blue-collar town just outside of Seattle.

Krist Novoselic said Nirvana came out of the American hardcore scene of the 1980's—this was a true underground. It was punk rock, where the many bands or musical styles were eclectic. We were a product of a community of youth looking for a connection away from the mainstream. The community built structures outside of the corporate, governmental sphere, independent, and decentralized. Media connected through the copy machine, a decade before the Internet, as we know it, came to be. This was social networking in the face.

Dave Grohl said, "We were drop-outs, making minimum wage, listening to vinyl, emulating our heroes—Ian MacKaye, Little Richard—getting high, sleeping in vans, never expecting the world to notice."

Solo artists almost have it easier than bands—bands are not easy. You find yourself in a group of people who rub each other the wrong way, and exactly the right way. And you have chemistry, zeitgeist, lightning in a bottle and a collective voice to help pinpoint a moment, to help understand what it is that we're going through. You see this is about community and pushing ourselves. Nirvana tapped into a voice that was yearning to be heard.

Keep in mind the times: this was the late 80's, early 90's. America, the idea of a hopeful, democratic country, had been practically dismantled by Iran-Contra, by AIDS, by the Reagan/Bush Sr. administrations.

But with their music, their attitude, their voice, by acknowledging the political machinations of petty, but broad-reaching, political arguments, movements and positions that had held us culturally back, Nirvana blasted through all that with crystalline, nuclear rage and fury. Nirvana were kicking against the system, bringing complete disdain for the music industry, and their definition of corporate, mainstream America, to show a sweet and beautiful—but fed-up—fury, coupled with howling vulnerability.

Lyrically exposing our frailty, our frustrations, our shortcomings. Singing of retreat and acceptance over triumphs of an outsider community with such immense possibility, stymied or ignored, but not held down or held back by the stupidity and political pettiness of the times. They spoke truth, and a lot of people listened.

They picked up the mantle in that particular battle, but they were singular, and loud, and melodic, and deeply original. And that voice. That voice. Kurt, we miss you. I miss you.

Nirvana defined a moment, a movement for outsiders: for the fags; for the fat girls; for the broken toys; the shy nerds; the Goth kids from Tennessee and Kentucky; for the rockers and the awkward; for the fed-up; the too-smart kids and the bullied. We were a community, a generation—in Nirvana's case, several generations—in the echo chamber of that collective howl, and Allen Ginsberg would have been very proud, here.

That moment and that voice reverberated into music and film, politics; a worldview; poetry; fashion; art; spiritualism; the beginning of the Internet; and so many fields in so many ways in our lives. This is not just pop music—this is something much greater than that.

These are a few artists who rub each other the wrong way, and exactly the right way, at the right time: Nirvana.





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